![]() That same year, Redgrave crossed the Atlantic to star as Guinevere in the film version of the hit Broadway musical "Camelot" (1967). That union collapsed in 1967 amidst much-publicized allegations of his affair with French actress Jeanne Moreau. Redgrave's next feature was "The Charge of the Light Brigade" (1968), a BAFTA-nominated historical drama by Tony Richardson, who was Redgrave's husband and the father of her two daughters. ![]() Both pictures helped solidify Redgrave's screen persona as a modern, intelligent woman whose cool and impassive exterior masked a range of conflicting emotions and passions. She earned nominations from the Oscars, Golden Globe, BAFTA, and the Cannes Film Festival for her performance and followed it up by playing another hip Londoner in Michelangelo Antonioni's stylish "Blow-Up" (1966). Redgrave became a movie star thanks to the 1966 comedy "Morgan: A Suitable Case for Treatment" in which she played the long-suffering ex-wife of an eccentric young man (David Warner). She was unable to follow the play to Broadway or appear in its movie adaptation due to her own film career. Redgrave became one of the British stage's shining lights during the 1960s with productions of "As You Like It" and "The Seagull," as well as her run in the title role of "The Prime of Miss Jean Brodie" (1966) marking her greatest stage achievement of the period. The sibling of two equally notable actors, Lynn Redgrave and Corin Redgrave, she entered London's School of Speech and Drama in 1954 and made her professional debut four years later in "A Touch of the Sun," co-starring her famous father. 30, 1937, Redgrave was born into an acting empire as the daughter of legendary stage and screen performer Michael Redgrave, best known for Hitchcock's "The Lady Vanishes" (1938), and actress Rachel Kempson. As the center of a family acting dynasty that went back several generations and would produce further generations of performers, Redgrave held an esteemed position in entertainment history for her own high level of work and that which she generated in her collaborators.īorn in London, England on Jan. ![]() She also made a few successful forays into Hollywood blockbuster territory with supporting roles in "Mission: Impossible" (1996) and "Deep Impact" (1998) while her stage career continued unabated. Despite her ability to carry a film with a bold lead character, Redgrave spent a considerable amount of her screen career as a versatile supporting player in art house fare like the controversial "Julia" (1977), biopics like "Wilde" (1997) and "The Gathering Storm" (HBO, 2002), period dramas such as "Howard's End" (1992) and "Atonement" (2007), and American independent films like "Little Odessa" (1994) and "The Pledge" (2001). Redgrave brought the same passion for her convictions to her acting work. Redgrave was trained in the classical tradition but made her mark essaying non-conforming free-thinkers like modern dance pioneer Isadora Duncan in "Isadora" (1968) and a 19th century American feminist in "The Bostonians" (1984), while earning her share of controversy for her outspoken activism through decades of international politics and human rights issues. From her start on the London stage in the 1960s, Vanessa Redgrave went on to become one of the most internationally respected actresses of stage and screen, with the Oscar, Golden Globe, Emmy, and Tony awards to prove it.
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